CANNES 2010: THE INCOMPARABLE WOODY ALLEN & HIS LATEST FILM




FROM THE ASSOCIATED PRESS

Love, death, the terrible pitfalls of aging, romance between older men and younger women — they’re all part of the WOODY ALLEN canon, whether it’s in his films or he’s just shooting the breeze.

WOODY’S latest mix of comedy and drama (YOU WILL MEET A TALL DARK STRANGER) premiered today at the CANNES FILM FESTIVAL, presenting an ensemble of characters dealing with issues that anyone who has followed his filmography will be familiar with.

The film features NAOMI WATTS, ANTHONY HOPKINS, ANTONIO BANDERAS, FREIDA PINTO, JOSH BROLIN and GEMMA JONES as an ensemble of Londoners coping with failing marriages, stymied ambition, the yearning for new relationships and the fear of mortality.

In a press conference, WOODY addressed many of these issues, along with such matters as why he shoots films in London rather than near his home in Manhattan and why he has not costarred in his recent pictures.

ON AGING: I find it a lousy deal. There’s no advantage in getting older. I’m 74 now. You don’t get smarter. You don’t get wiser. You don’t get more mellow. You don’t get more kindly. Nothing good happens. Your back hurts more. You get more indigestion. Your eyesight isn’t as good. You need a hearing aid. It’s a bad business getting older and I would advise you not to do it.

ON MAY/DECEMBER ROMANCES: It’s a good laugh getter and a good provocative kind of thing, so that’s really why I use it…It gives me something that you can get good situations from and good jokes from.

CONCERNING LONDON: The films that I make in London I could make in New York. They would just be more expensive to make in New York. It’s a pleasure to work in London because the summers are cool, the skies are grey. Good for photography. There are wonderful crews and wonderful actors.

THE REASON WHY HE’S NOT APPEARING IN HIS OWN FILMS: For years, I played the romantic lead and then I couldn’t play it any longer, because I got too old to play it and it’s no fun just not playing the guy who gets the girl. So unless I can think of some way to do it, no.

You can imagine how frustrating it is when I do these movies with Scarlett Johansson and Naomi Watts and the other guys get them. And I’m the director. I’m the, you know, that old guy over there is the director. I don’t like that. I like being the one that sits across from them in the restaurant and looks in their eyes and lies to them.

THE DEATH THING: My relationship with death remains the same. I am very strongly against it.

YOU WILL MEET A TALL DARK STRANGER, WOODY ALLEN’S tenth film at CANNES, spins a convoluted tale of troubled lives as ALFIE (ANTHONY HOPKINS) becomes obsessed with aging and leaves his wife HELENA (GEMMA JONES). He eventually marries a gold digging actor/prostitute (LUCY PUNCH) that is considerably younger.

ALFIE and HELENA’S daughter SALLY (NAOMI WATTS) supports husband ROY (JOSH BROLIN) while he struggles to finish a novel that might fulfill the promise of his first published book. Meantime, ROY falls for a beautiful neighbour (FREIDA PINTO). SALLY develops feelings for her boss (ANTONIO BANDERAS) at an art gallery.

HELENA finds comfort from a quarter in which WOODY himself places no faith — the prognostications of a fortune teller. Everyone needs their own little fictions to cope with the harshness of life, he said.

“I do feel that it’s a grim, pitiful, nightmarish, meaningless experience. The only way that you can be happy is if you tell yourself some lies and deceive yourself…and I’m not the first person to say this or the most articulate person on it.”

“It was said by Nietzsche. It was said by Freud. It was said by Eugene O’Neill. One must have one’s delusions to live. You look at life too honestly and clearly, life does become unbearable, because it’s a pretty grim enterprise, you must admit.”

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