THE CLASSIC TIMELESSNESS OF IRENE



This article is authored by MARY HALL at THE HUFFINGTON POST

Once there was an amazing designer who lived in Los Angeles.

Her name was IRENE LENTZ GIBBONS. BRITISH VOGUE called IRENE’S designs California elegance.

Way before NEW YORK FASHION WEEK, IRENE held her fashion events at the beautiful art deco department store BULLOCKS WILSHIRE. She also created designs for the store and privately labeled them.

From 1935 to the mid 1940s, American designer IRENE LENTZ GIBBONS had her own salon in the midst of this retail utopia. You didn’t need to go to Paris or New York to get the latest fashions. You could simply head to BULLOCKS WILSHIRE and visit IRENE.

She was the first designer with a salon installed in a department store. But this was no ordinary department store.

BULLOCKS WILSHIRE was known as the epitome of luxury and style. America had not yet found its way out of the Great Depression, yet there was still a market for the exquisite designs of Irene. Movie stars flocked to her.

VIVIEN LEIGH, GINGER ROGERS and the wealthy of Los Angeles all wore IRENE. Even women employed in the offices of the studios desired a suit by IRENE. Her tailored suits retailed from $400.00 to $700.00 back in the 1930s at Bullocks.

The IRENE suits were carefully constructed to show off the thinnest point on any woman, the waist. Buttons were hand selected by the designer. IRENE would mix buttons of various shapes and sizes. Sometimes there would be a large ornate button at the top of a suit, followed by a string of smaller buttons.

Her evening wear featured beading, black lace and sometimes large bows on the side of the garment or tied at the back. Her version of the classic black dress was a revelation, with carefully placed tucks, darts and pleats to streamline the overall design. She contoured her creations to fit a woman’s shape and curves.

If you went to the IRENE salon at BULLOCKS WILSHIRE, you could expect to receive very personal service from the designer. IRENE was present in the salon along with a tailor and a cutter. Each IRENE garment could be fitted to the prospective buyer.

If a customer decided to purchase an original IRENE, then the designer herself would go to woman’s shoes and jewelery to pick out the right shoes and jewelry to go with her very own IRENE. Models strolled through BULLOCKS WILSHIRE in original IRENES for customers to peruse.

IRENE left BULLOCKS WILSHIRE to become executive designer for MGM STUDIOS. She designed costumes for over fifty films.

Later, she sold an IRENE line at New York’s BERGDORF GOODMAN, Chicago’s MARSHALL FIELDS and Dallas’ NEIMAN MARCUS. Eventually, those lines perished as did BULLOCKS WILSHIRE. The store closed in 1992.

Today, the IRENE salon still lives on as part of the Southwestern Law School. When I took the tour of BULLOCKS WILSHIRE, sponsored by the law school this week, I was pleased to see the IRENE salon almost exactly as the designer had left it.

Her sketches were hanging on the walls along with a few plaques commemorating her designs. You can almost hear the footsteps of a frequent visitor to Bullocks, GARY COOPER, bounding up the stairs into the salon to visit his special friend, Hollywood’s hottest designer, IRENE LENTZ.

Today, IRENE’S fashions still play a part in Hollywood productions. Her suits are worn by KYRA SEDGWICK on TNT’s THE CLOSER.

Costume designer GREG LAVOI uses many of IRENE’S designs on the show from BULLOCKS WILSHIRE.

When IRENE died in 1962, she may have felt that Hollywood had forgotten her. Her old friend DORIS DAY bought her back to work to design the costumes for the film Midnight Lace. For that film, she was nominated for an OSCAR. But it was the first film she had worked on in 10 years.

I think she would be thrilled to see Southwestern Law School preserving her salon and THE CLOSER’S Brenda wearing her beautiful suits.

Style never dies. Especially when it has an IRENE label on it.

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