Archive for August, 2009

THE TOP 25 HOT ACTORS (AS SELECTED BY EW READERS)

Posted in Entertainment News, Glamour on August 27, 2009 by Miranda Wilding

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What would the world be like without hot charismatic performers?

I wouldn’t even want to inhabit a place like that.

EW’S illustrious readership has voted on all of the various galleries of delectable actors seen over the course of the summer. They have now assembled a final list of 25.

Here are the ones that I concur with wholeheartedly…

24. NEIL PATRICK HARRIS (BARNEY STINSON) – HOW I MET YOUR MOTHER

20. EMILY DESCHANEL (TEMEPERANCE “BONES” BRENNAN) – BONES

11. JEFFREY DEAN MORGAN (EDWARD BLAKE/THE COMEDIAN) – WATCHMEN

8. JARED PADALECKI (SAM WINCHESTER) – SUPERNATURAL

6. TOM WELLING (CLARK KENT) – SMALLVILLE

4. EMILY PROCTER (CALLEIGH DUQUESNE) – CSI: MIAMI

For the whole damn thing, please go here

CNN Q&A WITH RENEE ZELLWEGER

Posted in Film on August 27, 2009 by Miranda Wilding

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FROM CNN

MY ONE & ONLY begins with RENEE ZELLWEGER (playing a woman based on GEORGE HAMILTON’S mother ANNE) discovering her husband with another woman.

Despite the initial heartbreak, ANNE puts on a happy face and RENEE gives life to a character who’s determined to make the rest of her years comfortable and adventurous.

Her husband’s indiscretion is the catalyst that sends ANNE on a cross country quest to find a new husband in 1953 America. She pulls her two sons out of school in NEW YORK and the trio sets off on a road trip. The tale has its roots in actor GEORGE HAMILTON’S young life.

The film takes a look at gender roles of the time and how women were perceived. Much of the film gets coloured in by the characters and their ever present emotions. (Though RENEE’S fabulous wardrobe adds plenty of color on its own.)

RENEE, who won an OSCAR for COLD MOUNTAIN, spoke with CNN about MY ONE & ONLY, GEORGE HAMILTON and the way she believes she is perceived.

Q: What do you think of GEORGE HAMILTON as a person now, knowing what he went through in his youth?

RZ: I think it’s so fascinating. It was probably my favourite part of this experience, discovering that this was actually his life story. I mean, who knew…?

You have an idea about who a person is based on their public persona and the work that they’ve done. He’s a spectacular actor and his collection of parts that he’s played and work that he’s done is unbelievable. But to get to know him, he’s so interesting. He’s so clever and he’s very kind.

Q: You’re playing GEORGE HAMILTON’S mother. Did he fill you in on what she was like?

RZ: No. You know, that’s what’s so interesting about it. Despite being such a personal project that he worked on so closely with MERV GRIFFIN for over a decade, he didn’t. He had great faith and he just kind of let us go, which was sort of unbelievable when you look back on it.

It was really clear to me from what was on the page who she was.

Q: Did you like her?

RZ: Very much. She’s kind of doing the best she can, and she thought, oh everything’s kind of a lark…and things work out without your having to put your hands on it and make it happen. But she learns a different way and a more satisfying way to be involved in her own life, which is wonderful.

So she sort of discovered that she could and gave herself permission to be in charge of herself. It was kind of a wonderful journey to watch.

Q: She was judged on her looks many times in the film. Have you faced similar situations, being judged on your looks and people not taking you seriously?

RZ: Not in such an overt way. I’m not an actress who made her way based on physicality. I think quite the opposite, in fact. I sort of disappear a little bit with respect to my looks. I’m lucky. I’m not a standout, kind of knockout kind of girl that, you know, it’s all about my great hair or something.

But, in subtle ways, maybe. I mean, people presume to know you for something and respond to you accordingly, I’m sure.

Q: How was it stepping into the era of old HOLYWOOD? Did you enjoy wearing the clothes from the early 50s?

RZ: I loved it. I loved it. I had such a great time with it and I brought a lot of my own things, actually. Things that have been given to me, things that I just would find while I’m travelling on the road but have no opportunity to wear. You know, junk store finds that I think are spectacular. We brought them in, spruced them up and made them costumes. It was really exciting; it was fun.

Q: Do you think you would have liked to work in that era?

RZ: Oh, yes and no. Yes because of the glamour of it all. It feels like play to me. It’s like playing dress up all the time. And no because of the responsibility of having to maintain that immaculate presentation all the time would be exhausting.

I think back on MARILYN MONROE putting those lashes on every day and I can’t imagine, as I tie up my sneakers to go for a run. I can not imagine that you’re supposed to simultaneously look beautiful while you’re going out to buy groceries. I just don’t know that it would fit well with my personality. I don’t know that I would succeed. (Laughs)

MY NAME IS ROGER…& I’M AN ALCOHOLIC

Posted in Entertainment News, Film, Journalism on August 26, 2009 by Miranda Wilding

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I actually found this courtesy of LISA SCHWARZBAUM at EW.

This month marks the 30th anniversary of ROGER EBERT’S sobriety. I didn’t even know that he drank.

I don’t read ROGER as often as I used to. But I should. He’s certainly one of the finest and best known movie critics around. He did win a PULITZER, after all.

He’s also responsible for moving film criticism into the forefront of our culture with his highly successful television show.

In this exquisitely moving and illuminating post, he discusses – with great frankness – his situation at the time and what actually caused him to stop drinking.

Everyone has their own personal moment of clarity.

My truth?

I’ve always been a passionate, driven, extreme personality. Very black and white and hardly anything in between. If I love something, I want to immerse myself in that experience and do it over and over and over again.

I never smoked or did any drugs. Never even tried the soft ones.

Men were far more problematic. I liked them. A LOT. But I’ve never found just anyone attractive. So it was certainly not a hardship to say no to anybody I didn’t want.

With the men that I did want (from the age of 16 on), I could really go to town.

Drinking was similar. I never drank socially until I was in my early twenties. I discovered that there were different varieties of alcohol that I didn’t care for. I didn’t like wine. Sweet champagne and various kinds of cocktails are definitely my forte.

I never overindulged. I have gone close to a year without drinking. On the other hand, I could effortlessly knock back a few at a lounge or at a fancy dinner. But you definitively know when the next one coming up will send you over the edge. I always stopped then and there.

So no getting drunk and no hangovers. During the majority of evenings that I choose to drink I am completely content with one or two. My drinking has been one of the few areas in my life where I’m actually moderate.

So it’s fortunate that it all shook out that way…

ROGER EBERT is a national treasure. I’m very thankful that he’s still with us…and still writing.

You can read what he has to say here

WOMEN IN THE MAFIA: DEADLIER THAN THE MALE

Posted in Feminism, Media on August 25, 2009 by Miranda Wilding

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FROM THE ASSOCIATED PRESS

I’m aware that this article has nothing to do with entertainment. I just found it kind of…interesting.

Though I don’t have a drop of Italian blood, I’ve been friends with quite a few of those women.

You wouldn’t want to piss them off…

Their simmering power struggles once drove them into the streets, guns blazing. They rule their crime families with steely determination…and also raise the kids and stir the pasta.

Godmothers are rising in the ranks of the CAMORRA, the Naples area crime syndicate.

Women have long played a strong role in CAMORRA crime families, muscling, sometimes murdering, their way to the top. Their influence stretches back as far as the 1950s, when a former beauty queen named ASSUNTA MARESCA – also known as PUPETTA (LITTLE DOLL) – shot dead the man who had ordered a hit on her husband with a Smith & Wesson and allegedly settled into a life of crime thereafter.

Now, as the state steps up its war against the CAMORRA, rounding up scores of mobsters, the women are increasingly taking over the helm from their men.

“There are a growing number of women who hold executive roles in the Camorra,” remarked GENERAL GAETANO MARUCCIA, commander of the Carabinieri paramilitary police in the Naples area.

“They are either widows (of mob bosses) or wives of husbands who have been put in prison. They hold the reins.”

Mothers, daughters and sisters are “assuming even more leading roles,” commented STEFANIA CASTALDI, a Naples based prosecutor who investigates organized crime.

This family dimension of the CAMORRA finds its echo in mainstream Italian society – a family often will entrust its business to a female relative rather than an outsider.

CAMORRA women still perform the more traditional roles of cutting and repackaging cocaine and heroin in their kitchens or tidying up the hideouts of fugitive bosses. But others are wielding power on the streets. They shake down merchants in extortion rackets and increasingly direct drug trafficking worth millions of dollars, Ms. Castaldi said.

In one of the most lurid episodes, in 2002, two carloads of women from rival CAMORRA clans lurched through the streets of Lauro, a town near Naples, first trading insults and then machine gun fire and pistol shots until two grandmothers and a 16 year old girl were dead.

The root of the bloodshed: a turf war fuelled by the murder of a clan boss’ cousin.

Some of the CAMORRA godmothers rank right up there with the men in commanding clout and obedience, authorities say.

Among them is MARIA LICCIARDI, one of the victors of the long running blood feud between the Di Lauro and Secondigliano Alliance that left Naples littered nearly daily with bodies a few years back.

“Ms. Licciardi is a true madrina (godmother), absolutely,” said STEFANIA CASTALDI.

“She was the sister of a boss and she sat at the table with other bosses, she made decisions with them, she was right at their level.”

Authorities are now investigating whether one of those decisions was an order to execute as many as 30 of her rivals, say investigators, speaking on condition of anonymity because Italian law prohibits officials from discussing ongoing probes.

Ms. Licciardi, a petite woman known by cohorts and enemies alike as A PICCIRELLA (THE LITTLE ONE), was arrested in 2001 after she was stopped while driving her car near Naples. On the run since 1999, MARIA LICCIARDI at the time figured on the list of Italy’s 30 most wanted criminals.

She is one of a handful of female mobsters who are considered so high up that they are held in Italy’s stiffest prison regime, which includes isolation and severely limited contact with the outside world.

“She’s in prison, but she still commands. Prisons don’t represent a barrier” for the CAMORRA, stated ANNA MARIA ZACCARIA, a sociologist at NAPLES FEDERICO II UNIVERSITY who is researching womens’ roles in the syndicate.

MARIA LICCIARDI is widely considered an able manager, particularly valued for her “powers of persuasion,” Ms. Zaccaria said in an interview. Dangling promises of cash, she is believed to have managed to persuade some CAMORRA mobsters who were contemplating becoming turncoats to stay loyal to the clan, the professor said.

For generations, when such mobsters were arrested, mothers and wives would descend screaming into Naples’ chaotic streets, throwing insults and sometimes punches at police arresting their men. But as investigators increasingly regard women as significant CAMORRA figures, handcuffs have been snapping shut around their wrists, too.

“They are as cocky as the men” when arrested, said General Maruccia.

In July, Carabinieri swept up 11 women for drug trafficking in a raid on Naples’ Sarno crime clan. In another blitz, a mother and her two grown daughters were arrested on organized crime charges, including extortion.

The emergence of strong CAMORRA women has deep roots in Naples society.

“The Camorra woman follows the model of the Neapolitan woman” in the matriarchal Neapolitan society, remarked Ms. Zaccaria.

“She is in charge of household spending, the raising of children.”

These skills can translate into setting the interest rates for loan sharking or doling out weekly payments to neighbourhood kids to watch out for police raids.

Raising offspring means steeping children in a life of crime and arranging marriages of sons and daughters to spin a web of new or stronger ties with potentially rival clans.

“They’re very determined, very good at mapping out strategy, even sharper than their men,” explained General Maruccia.

Aspiring male Camorristi must undergo a rite of passage – often carrying out a boss’ order to kill or maim a rival, investigators say. Ms. Zaccaria said no such requirement applies to female bosses.

Still, “they eliminate their enemies – their rivals – in a merciless way.”

Even when the CAMORRA woman doesn’t pack a pistol, they seem to pump their offspring with pride for bloody deeds which further their crime family’s prestige.

Take CONCETTA PRESTIERI, matriarch of a family in the long powerful Di Lauro clan. A son turned informant told investigators how, in 1981, the clan eliminated a rival by “bringing him into a basement, torturing him, killing him and cutting him into pieces,” said Ms. Castaldi.

After the murder, the participants gathered around the table in Ms. Prestieri’s kitchen.

“All the while, as they recounted the deed, she cooked up the spaghetti and served it at the table.”

After bomb blasts in Sicily in 1992 killed two leading anti Mafia prosecutors, GIOVANNI FALCONE and PAOLO BORSELLINO, Italy stiffened its laws against top mobsters. One measure limited prison visits to family members and CAMORRA women have used that to their advantage.

“Most of the bosses choose to see their wives,” said Ms. Castaldi.

“The women are the ones who most transmit the orders of the clan chieftain. She becomes the continuity between inside the prison and the outside world,” which ultimately enhances her prestige.

Imprisoned mob bosses are known to communicate their orders to visiting family with gestures, code words, even facial expressions.

While CAMORRA women seem to have no limits in their ascent to power, the women in Sicily’s COSA NOSTRA apparently don’t enjoy the same possilbilities.

A Milan based historian, OMBRETTA INGRASCI, author of a book about women in the Sicilian Mafia, speaks of a glass ceiling. Possibly because unlike the family based CAMORRA, COSA NOSTRA’S organization is essentially a men’s club which doesn’t seek out its members based on blood ties.

CELEBRATED PEOPLE & THEIR CANINE COMPANIONS

Posted in Animal Welfare on August 25, 2009 by Miranda Wilding

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I found an adorable gallery from THE HUFFINGTON POST. It’s of various celebrities and their beloved dogs.

I’ll give you all of the infornation that’s available to me. In some instances, that’s not much.

In order…

ELIZABETH TAYLOR & (???) HER MALTESE SUGAR

SUSAN SARANDON & HER POMERIAN/MALTESE PENNY

FAMKE JANSSEN & HER BOSTON TERRIER LICORICE

SERENA WILLIAMS & HER CHIHUAHUA JACKIE

CHRISTIE BRINKLEY & MAPLE SUGAR

ADRIEN GRENIER & ???

To see the rest of the pictures, please go here

IN THE LOOP ***

Posted in Film Reviews on August 24, 2009 by Miranda Wilding

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They say the road to hell is paved with good intentions.

Take away the good intentions entirely, add a variety of egomaniacal, manipulative personalities with unshakable lusts for power, prestige and various kinds of sensual delights…and you have the political game in all of its unspeakable artfulness.

Our story takes place earlier in this century…

At the very top echelons of the English and the United States governments, aspects of war are being weighed and considered. Invading Iraq seems to be an increasingly good idea. It may be time to make a definitive statement.

Earnest but ridiculously naive British cabinet minister SIMON FOSTER (TOM HOLLANDER) is privately against the war. Any war. But when he’s caught commenting that the war is unforseeable, that starts a chain reaction of highly dramatic and equally hilarious events that will change the course of the world.

Just you wait…

Immediately after, Simon gets a visit from MALCOLM TUCKER (PETER CAPALDI), the Prime Minister’s communications chief. Malcolm is a foul mouthed, imperious, deeply dominant presence who won’t back down from anything. Though he’s a nasty piece of work, Malcolm actually has a soul.

He is the ultimate pragmatist. He’s had to manage many large scale crises for decades. So he’s become used to orchestrating events and getting the job done. His meltdowns are frequent and legendary. But considering the circus atmosphere, he doesn’t mind selling tickets to his own private show while he schemes to get exactly what he wants.

Between meetings in London and trips to Washington, a number of other characters are introduced into the mix.

There’s JUDY (GINA McKEE), Simon’s Director Of Communications. She is the comforting calm in the eye of the rapacious storm. Judy is soft spoken, quiet and blessed with a sly wit. She’s smarter than any of the people that surround her (with the possible exception of Malcolm). Judy will keep her head when everyone else is losing theirs – and her job along with it.

JAMIE McDONALD (PAUL HIGGINS) is a colleague of Malcolm’s. They work out of the same office. Both men are Scottish and are given to the same type of superbly masculine Type A theatrics: yelling, cursing, belittling and intimidation.

Jamie is hysterically funny. Unless, of course, you are the focus of his degradation.

TOBY WRIGHT (CHRIS ADDISON) is Simon’s new advisor. Despite his youthful, nerdy appearance, Toby is a bastion of British virility and quite without character. He’s living with SUZY (OLIVIA POULET), an attractive girl who’s far too good for him. Suzy works as an aide to Sir Jonathan Tutt.

Toby has cheated on her with at least one woman that she’s aware of. He’s a ticking time bomb that can’t keep his pants zipped.

On his first trip to the U.S. capitol with Simon, he spots LIZA WELD (former child star ANNA CHLUMSKY), who is interning with KAREN CLARKE (MIMI KENNEDY), the Assistant Secretary Of Diplomacy.

Liza is about to get into a lot of hot water on several fronts. She has written a paper with a strong antiwar bias that everyone in Washington is talking about.

She also had a fling with Toby several years earlier. Toby is naturally hot to get reacquainted. When they resume their intimacies, he neglects to tell Liza about Suzy.

But Toby isn’t nearly proficient enough to keep two things going on opposite sides of the world. Something has to give some time.

Finally, there is GENERAL GEORGE MILLER (JAMES GANDOLFINI). General Miller is an easygoing, introspective pacifist much of the time. During the remainder of it, he’s the classic Alpha male – a domineering, utterly commanding presence given to great rages if he is ignored, disrespected or not taken seriously in any way.

Each of these individuals has their own personal agenda to fulfill. They’re all going to do their utmost to insure that all of their objectives are met and that all of their respective asses will be securely covered.

It will work in some instances…and fail miserably in other circumstances.

IN THE LOOP is derived from the 90s BBC television series THE THICK OF IT. PETER CAPALDI, PAUL HIGGINS, CHRIS ADDISON and OLIVIA POULET are all vets of that particular program.

So, for that matter, are IN THE LOOP’S director ARMANDO IANNUCI (also a Scot!) and screenwriters JESSE ARMSTRONG and SIMON BLACKWELL.

Shot faux documentary style with a great absence of frills, this is a sharp, blazing satire that moves at a fast, furious, frenetic pace. It’s reminiscent in tone and construction to the American screwball comedies of the 30s and 40s. There are also echoes of DR. STRANGELOVE. But IN THE LOOP is actually more amusing and entertaining.

All of the performances are terrific and effortlessly complement one another. Who knew that TOM HOLLANDER possessed such fabulous comedic timing? Some of ANNA CHLUMSKY’S facial expressions and reactions are a bit too broad and over the top for film. But otherwise she’s really quite wonderful.

But this motion picture wholeheartedly belongs to two magnificent performers: PETER CAPALDI and JAMES GANDOLFINI.

Mr. Gandolfini can do no wrong. He’s one of the most brilliant character actors to ever appear on screen.

In most of Mr. Capaldi’s sequences, Malcolm is off on a tangent or about to take off on one. But then he has that moment where he’s in tears in the meditation room.

You see the bluster fall away and you comprehend the fear, the anxiety and the pressure that drives Malcolm and makes him the brutal warrior that he is.

Then there’s the highlight of the movie: the climatic scene where Malcolm and the General have a face off, which is well worth the price of admission. Malcolm kicks off the confrontation by referring to him as GENERAL FLINTSTONE.

Both of these fellows (it would be unsuitable to refer to either of them as gentlemen) are potentially very, very dangerous. It’s a savage power play. They size each other up and deliver their words in hushed tones, voices barely above a whisper.

They’re effectively threatening each others’ lives – brashly and swiftly taking each other apart. But when they’re finished, the most vicious insult that Malcolm is seething over is that the General referred to him as English.

Though IN THE LOOP is populated with fictional characters in an unreal universe, the most frightening thing about it is that it’s probably a rather accurate approximation of what really goes on in the hallowed halls.

Watch your back. Or someone else will watch it for you.

THE 40 MOST HANDSOME HOLLYWOOD MEN (AS OF RIGHT NOW…)

Posted in Film, Glamour on August 23, 2009 by Miranda Wilding

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Oh, you knew it was coming. That is, if read this site with any sort of functional regularity…

About a month ago, I published PREMIERE’S list of the 40 most beautiful women currently working in Hollywood. You can find it here

So of course the male counterpart has to be represented. Fair is fair, right…?

As with the feminine version of this compilation, there are some goofy choices, some prime headscratchers and some dubious oversights. It’s incredibly subjective and that’s just the way it all shakes out.

There are a lot of very attractive guys in PREMIERE’S grouping. But not all of them are going to distract you with the same intensity.

But here are the selections that I personally concur with…

39. GEORGE CLOONEY
37. MILO VENTIMIGLIA
36. DENNIS QUAID
30. AARON ECKHART
27. PAUL RUDD
26. CHRIS MESSINA
25. EMILE HIRSCH
23. JOHNNY DEPP
15. JOSEPH GORDON LEVITT
12. BRAD PITT
11. JAMES MARSDEN
8. CHRISTIAN BALE
5. JOSH DUHAMEL

For the entire list in all of its monumental glory, please go here

THE 20 MANLIEST MOVIES EVER MADE

Posted in Film on August 23, 2009 by Miranda Wilding

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Gorgeous broad shouldered square jawed quintessentially manly men doing a variety of supremely masculine things in all sorts of interesting films…

Oh my…

EW has dedicated an entire slideshow exclusively to them.

Here are my favourites in this particular mix: JAWS, FIGHT CLUB, SPARTACUS, ALIENS, RESERVOIR DOGS, GLADIATOR and THE GODFATHER.

For the whole damn thing, please go here

TIME TO KICK OUT THE JAMS…

Posted in Hot Video on August 21, 2009 by Miranda Wilding

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I’m totally obsessed with two different decades – one that I never knew and the other that I spent my thoroughly precocious childhood in.

One of the things that I love most about the 60s is the music. It was a whimsical golden age that has never been repeated.

Unfortunately.

I’ll take you back now to the summer of 1966, when a bunch of silly Texas dudes named SAM THE SHAM & THE PHARAOHS had a smash hit with the brilliant and hilarious LIL RED RIDING HOOD.

Hey there lil red riding hood
You sure are looking good
You’re everything
That a big bad wolf could want…

*sigh*

That’s how it always starts.

Enjoy your weekend, kids…

PHOTOS FROM THE PREMIERE OF THE SEPTEMBER ISSUE

Posted in Film, Glamour, Style on August 21, 2009 by Miranda Wilding

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THE SEPTEMBER ISSUE had its premiere in NEW YORK on Wednesday evening.

As you might imagine, the beautiful, the glamorous and the fashion elite were all in attendance.

Pictures (in order) are:

ANNA WINTOUR
SIENNA MILLER
ANNA WINTOUR’S DAUGHTER BEE SHAFFER
DESIGNER TORY BURCH

It would appear that a very good time was had by all…