GRAMMY’S BEST DRESSED 2009: MY OWN PERSONAL GALLERY

Posted in The Grammys on February 10, 2009 by Miranda Wilding

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Well, this edition there wasn’t much to write home about.

It was enough to make me tear out my long blonde mane.

But enough all ready…

It seems that many people wore different clothes on the red carpet as opposed to when they performed. But there still was damn little to consider.

I want to have quintessential examples of good fashion in these posts – whether it’s classic, creative or avant garde. Most of it was either boring or goofy.

And that simply won’t do…

So here are the three people that I think did very well for themselves:

DUFFY
PAUL McCARTNEY

That’s about it…

2009 GRAMMY RECAP

Posted in The Grammys on February 10, 2009 by Miranda Wilding

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FROM THE ASSOCIATED PRESS

In the end, the 51st GRAMMY AWARDS went young. But not that young.

Though the show will be rightfully applauded for celebrating a wide swath of edgy, contemporary music, an established act ultimately won the day.

RAISING SAND – the collaboration between heavy metal pioneer ROBERT PLANT and bluegrass singer ALISON KRAUSS – took a leading five trophies, including ALBUM OF THE YEAR and RECORD OF THE YEAR.

New Orleans rapper LIL WAYNE was next with four wins, while Brits COLDPLAY nabbed three trophies.

“I’m bewildered,” ROBERT PLANT remarked. “In the old days we would have called this selling out. But I think it’s a good way to spend a Sunday.”

A singer who has been in the news provided an early highlight.

An emotional JENNIFER HUDSON accepted the award for BEST R&B ALBUM. She has only recently returned to the spotlight after being in seclusion since the October slayings of her mother, brother and nephew.

“I would like to thank my family in heaven and those who are here today,” said JENNIFER, who later broke down in tears after a powerful rendition of YOU PULLED ME THROUGH.

It was her first GRAMMY.

ALISON KRAUSS, conversely, now owns a staggering 26 career GRAMMYS. She all ready had more than any other female artist before the show started.

She and ROBERT PLANT also won best pop collaboration with vocals for RICH WOMAN (which they later performed), BEST CONTEMPORARY FOLK/AMERICANA ALBUM and Best Country Collaboration with vocals for KILLING THE BLUES.

“We are thrilled and very grateful,” ALISON stated. “It’s been a wonderful time.”

Producer T-BONE BURNETT confirmed afterwards that the pair were working on another album together.

ROBERT PLANT now has seven GRAMMYS, though he never won while fronting LED ZEPPELIN. He said he understood why his band wasn’t as highly regarded by critics.

“They said we were insignificant philanderers and they couldn’t have been more right,” he deadpanned backstage. “And now I’m as old as they were and I don’t like a lot of the bullshit that’s going on now.”

Meanwhile, other less established acts also got some time in the spotlight.

WELSH firecracker DUFFY got POP VOCAL ALBUM for her stunningly deserving ROCKFERRY, RADIOHEAD took home BEST ALTERNATIVE ALBUM and JOHN MAYER was awarded two trophies, including BEST MALE POP VOCAL PERFORMANCE.

Last year’s show – one of the worst rated in GRAMMY history – ended with HERBIE HANCOCK pulling off an upset win for ALBUM OF THE YEAR.

In 2009, the show boasted a relevant list of nominees and seemed to make an effort to appeal to both younger fans and music lovers.

PAUL McCARTNEY, keyed by some aggressive drumming from the FOO FIGHTERS’ DAVE GROHL, howled through a blistering take of THE BEATLES’ I SAW HER STANDING THERE.

With RADIOHEAD making their first appearance on U.S. television since 2000, the UNIVERSITY OF SOUTHERN CALIFORNIA marching band gave the British group’s 15 STEPS even more pounding rhythmic heft.

A number of artists pulled down multiple GRAMMY awards in the afternoon ceremony – where the bulk of trophies are handed out – including PETER GABRIEL.

A partial list of winners at the 51st ANNUAL GRAMMY AWARDS

ALBUM OF THE YEAR
RAISING SAND – ROBERT PLANT & ALISON KRAUSS

RECORD OF THE YEAR
PLEASE READ THE LETTER – ROBERT PLANT & ALISON KRAUSS

SONG OF THE YEAR
VIVA LA VIDA – COLDPLAY

MALE POP VOCAL PERFORMANCE
SAY – JOHN MAYER

POP VOCAL ALBUM
ROCKFERRY – DUFFY

(um…yeah)

NEW ARTISTADELE

ROCK ALBUM
VIVA LA VIDA – COLDPLAY

POP COLLABORATION WITH VOCALS
RICH WOMAN – ROBERT PLANT & ALISON KRAUSS

R&B ALBUM
JENNIFER HUDSON – JENNIFER HUDSON

PRODUCER OF THE YEAR (NONCLASSICAL)
RICK RUBIN

FEMALE POP VOCAL PERFORMANCE
CHASING PAVEMENTS – ADELE

POP INSTRUMENTAL PERFORMANCE
I DREAMED THERE WAS NO WAR – THE EAGLES

POP PERFORMANCE BY A DUO OR GROUP
VIVA LA VIDA – COLDPLAY

ALTERNATIVE MUSIC ALBUM
IN RAINBOWS – RADIOHEAD

SOLO ROCK VOCAL PERFORMANCE
GRAVITY – JOHN MAYER

ROCK PERFORMANCE BY A DUO OR GROUP
SEX ON FIRE – KINGS OF LEON

ROCK SONG
GIRLS IN THEIR SUMMER CLOTHES – BRUCE SPRINGSTEEN

RAP/SUNG COLLABORATION
AMERICAN BOY – ESTELLE F. KANYE WEST

FEMALE R&B VOCAL
SUPERWOMAN – ALICIA KEYS

CONTEMPORARY FOLK/AMERICANA ALBUM
RAISING SAND – ROBERT PLANT & ALISON KRAUSS

COMEDY ALBUM
IT’S BAD FOR YA – GEORGE CARLIN

COMPILATION OR SOUNDTRACK ALBUM FOR MOTION PICTURE OR TV
JUNO

MUSICAL SHOW ALBUM
IN THE HEIGHTS

LONG FORM MUSIC VIDEO
RUNNIN DOWN A DREAM – TOM PETTY & THE HEARTBREAKERS
PETER BOGDANOVICH – VIDEO DIRECTOR

To get the entire list, please go to GRAMMY.COM

BAFTAS’ BEST DRESSED 2009: MY OWN PERSONAL GALLERY

Posted in Awards on February 9, 2009 by Miranda Wilding

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This is giving me a cluster F headache.

But the GRAMMYS were worse. This is just like living in fashion hell this morning. Let me tell you.

But here are some shots of people that I thought looked really fabulous:

KATE WINSLET
MERYL STREEP
KRISTIN SCOTT THOMAS
ANGELINA JOLIE & BRAD PITT

2009 BAFTA RECAP

Posted in Awards on February 9, 2009 by Miranda Wilding

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DANNY BOYLE’S SLUMDOG MILLIONAIRE was top dog at the BRITISH ACADEMY FILM AWARDS, taking a leading seven prizes including BEST FILM and DIRECTOR honours.

KATE WINSLET won BAFTA gold as BEST ACTRESS in THE READER.

Ms. Winslet was also nominated in the same category for REVOLUTIONARY ROAD. KATE was a model of composure, thanking her parents who were sitting in the audience, “who I will not look at right now or I will burst into tears.”

She dedicated her award to recently deceased READER producers ANTHONY MINGHELLA and SYDNEY POLLACK.

BEST ACTOR went to MICKEY ROURKE in THE WRESTLER.

“It’s such a pleasure to be back here, out of the darkness,” he remarked. MICKEY delighted the audience with a painfully honest acceptance speech in which he thanked DARREN ARONOFSKY for the second chance he received “after fucking up my career for 15 years.”

He dedicated his win to IRISH acting legend and hellraiser RICHARD HARRIS.

Besides its two top prizes, SLUMDOG brought home the bacon in the categories of ADAPTED SCREENPLAY (SIMON BEAUFOY), EDITING (CHRIS DICKENS), MUSIC (A.R. RAHMAN), CINEMATOGRAPHY (ANTHONY DOD MANTLE) and sound.

THE CURIOUS CASE OF BENJAMIN BUTTON took PRODUCTION DESIGN, MAKEUP & HAIR, plus SPECIAL VISUAL EFFECTS.

HEATH LEDGER was posthumously awarded the SUPPORTING ACTOR prize for his incendiary turn as THE JOKER in THE DARK KNIGHT. PENELOPE CRUZ of VICKY CRISTINA BARCELONA triumphed in the SUPPORTING ACTRESS category.

The 6,000 members of the BRIT ACADEMY rewarded the quirky and eclectic tightrope walking documentary MAN ON WIRE as BEST BRITISH FILM. The prize for BEST ORIGINAL SCREENPLAY went to IRELAND’S MARTIN McDONAGH for the hit man comedic tragedy IN BRUGES.

I’VE LOVED YOU SO LONG was named BEST FOREIGN FILM.

As previously announced, director TERRY GILLIAM was feted with the ACADEMY FELLOWSHIP (a lifetime achievement award) and PINEWOOD SHEPPERTON, Europe’s leading studios group and home to the JAMES BOND franchise received the award for BRITISH contribution to cinema.

KATE WINSLET, MICKEY ROURKE and MERYL STREEP were among the celebrities who braved a wintry LONDON drizzle – and hundreds of screaming fans – to walk the red carpet in front of the grand, neoclassical ROYAL OPERA HOUSE.

The crowd’s biggest cheers were for BRAD PITT and ANGELINA JOLIE. She was wearing an elegant, old HOLLYWOOD strapless black and yellow ARMANI gown.

And the winners are:

BEST FILM
SLUMDOG MILLIONAIRE

BEST BRITISH FILM
MAN ON WIRE

ACTOR
MICKEY ROURKE – THE WRESTLER

ACTRESS
KATE WINSLET – THE READER

SUPPORTING ACTOR
HEATH LEDGER
– THE DARK KNIGHT

SUPPORTING ACTRESS
PENELOPE CRUZ – VICKY CRISTINA BARCELONA

DIRECTOR
SLUMDOG MILLIONAIRE – DANNY BOYLE

ORIGINAL SCREENPLAY
IN BRUGES – MARTIN McDONAGH

ADAPTED SCREENPLAY
SLUMDOG MILLIONAIRE – SIMON BEAUFOY

FOREIGN FILM
I’VE LOVED YOU SO LONG

THE CARL FOREMAN AWARD FOR SPECIAL ACHIEVEMENT BY A BRITISH DIRECTOR, WRITER OR PRODUCER FOR THEIR FIRST FEATURE FILM
STEVE McQUEEN – HUNGER

ANIMATED FILM
WALL-E

MUSIC
SLUMDOG MILLIONAIRE – A.R. RAHMAN

CINEMATOGRAPHY
SLUMDOG MILLIONAIRE – ANTHONY DOD MANTLE

EDITING
SLUMDOG MILLIONAIRE – CHRIS DICKENS

PRODUCTION DESIGN
THE CURIOUS CASE OF BENJAMIN BUTTON

COSTUME DESIGN
THE DUCHESS – MICHAEL O’CONNOR

MAKEUP & HAIR
THE CURIOUS CASE OF BENJAMIN BUTTON

SOUND
SLUMDOG MILLIONAIRE

SPECIAL VISUAL EFFECTS
THE CURIOUS CASE OF BENJAMIN BUTTON

ACADEMY FELLOWSHIP
TERRY GILLIAM

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA PINEWOOD STUDIOS/SHEPPERTON STUDIOS

HARVEY WEINSTEIN’S OSCAR TRIUMPHS

Posted in The Oscars on February 8, 2009 by Miranda Wilding

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However you may feel about HARVEY WEINSTEIN, he has incredible taste.

Personally, I’m truly happy that the films that he produced even got a shot. Considering what Hollywood is like, these projects may never have seen the light of day without HARVEY’S assistance.

Here is an EW slideshow with a number of movies that HARVEY is responsible for. A couple of the BEST PICTURE winners (THE ENGLISH PATIENT and CHICAGO) are two of the finest films to come out of the last twenty years.

In my opinion, those two deserve all the splendid accolades they can possibly receive. They were the best pictures of their respective years.

Also included are: PULP FICTION and GOOD WILL HUNTING.

To hit the inevitable gallery, please go here

JAMES WHITMORE PASSES AWAY AT 87

Posted in Entertainment News on February 8, 2009 by Miranda Wilding

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FROM THE ASSOCIATED PRESS

This made me sad when I heard about it just now. JAMES WHITMORE was a consummate professional and a true actors’ actor. He was fabulously talented and possessed a marvelous versatility.

I loved him best as BROOKS HATLEN in THE SHAWSHANK REDEMPTION.

He will be greatly missed.

RIP, Mr. Whitmore.

JAMES WHITMORE, the many faceted character actor who delivered strong performances in movies, television and the theatre with his popular one person shows about HARRY TRUMAN, WILL ROGERS and THEODORE ROOSELVELT died yesterday.

He was 87.

The EMMY and TONY winning performer was diagnosed with lung cancer the week before Thanksgiving and passed away Friday afternoon at his MALIBU home, STEVE WHITMORE said.

“My father believed that family came before everything – that work was just a vehicle in which to provide for your family,” said STEVE WHITMORE, who works as spokesperson for the Los Angeles County Sheriff’s Department.

“At the end, and in the last two and a half months of his life, he was surrounded by his family.”

His long running GIVE ‘EM HELL, HARRY, tracing the life of the 33rd president, was released as a theatrical movie in 1975.

JAMES WHITMORE was nominated for BEST ACTOR, marking the only time in OSCAR history that a performer has been nominated for a film in which he/she was the only cast member.

His TEDDY ROOSEVELT portrait (BULLY) was also converted into a movie.

While not known for his politics, JAMES WHITMORE was an early supporter of PRESIDENT BARACK OBAMA.

He stumped for Obama during a 2007 rally at the GIBSON THEATRE at UNIVERSAL STUDIOS, telling the crowd that Obama had the wisdom “to deal with a very, very confused and complex country – and the world.”

JAMES WHITMORE also appeared in TV commercials in 2008 for the FIRST FREEDOM FIRST campaign, which advocates religious liberty and preserving the separation of church and state.

He had regularly attended an OSCAR night bash, NIGHT OF 100 STARS.

He started both his BROADWAY and HOLLYWOOD careers with acclaimed performances – both as tough talking sergeants.

In 1947, discharged from a year of Marine duty, he made his BROADWAY debut in a taut Air Force drama, COMMAND DECISION.

He was awarded a TONY for outstanding performance by a newcomer.

Two years later, he was nominated for an ACADEMY AWARD and won a GOLDEN GLOBE as SUPPORTING ACTOR in the war movie BATTLEGROUND.

He followed that with memorable work in scores of films, refusing to be typed.

Besides war movies, he appeared in Westerns, musicals (KISS ME KATE, OKLAHOMA), science fiction (PLANET OF THE APES), dramas (THE ASPHALT JUNGLE, THE SHAWSHANK REDEMPTION) and comedies (THE GREAT DIAMOND ROBBERY).

SHIRLEY JONES, a teenager when she starred in OKLAHOMA, said she came to know him during months of filming in Arizona and recalled being impressed by her good humoured and highly disciplined colleague.

“He told me, ‘If you’re going to be in this business, you’d better learn your craft,’ ” she recalled, “and he never stopped learning.”

His favourite film was BLACK LIKE ME
(1964), a true story about a white reporter who blackened his face to experience life as an African American in the South.

JAMES WHITMORE often appeared on television and starred in three short lived series during the 60s and 70s.

He received an EMMY in 1999 as guest actor in a series for THE PRACTICE.

SHIRLEY JONES remembered seeing him in a 2007 episode of the TV drama CSI and marvelling at his still sharp talent.

“I was absolutely blown away by that. He had a huge role playing a lawyer and it was phenomenal.”

A student of history, JAMES WHITMORE delighted in portraying famous American personages.

He played WALT WHITMAN in a dramatic reading, A WHITMAN PORTRAIT.

The monologues of HARRY TRUMAN, WILL ROGERS and TEDDY ROOSEVELT brought him his greatest success.

In 2000, he appeared in WILL ROGERS, U.S.A. at FORD’S THEATRE in Washington, D.C., his eighth engagement in the show at FORD’S over a 30 year period.

President Ford attended a performance of GIVE ‘EM, HELL, HARRY at FORD’S THEATRE after Richard Nixon resigned. JAMES WHITMORE worried about President Ford’s reaction to Truman’s crusty words about Nixon.

The actor reminisced: “I was three feet from Gerry Ford when I said to the press as Truman: ‘Nixon is a no good lying fuck. If he ever caught himself telling the truth, he’d tell a lie just to keep his hand in.’ ”

“After the show, Ford came up on stage and put his arm around me and said, ‘That was a pretty good blocking back.’ ”

Ford had been line coach when JAMES WHITMORE had played football at YALE.

His movie and television careers continued into the 21st century. But he admitted that he preferred the stage.

“I find the process of making movies absolutely boring,” he told a reporter in 1994. “It’s so fragmented.”

“You wait and wait and wait and then, as JACK LEMMON said, ‘It’s magic time.’ In the theatre, once the curtain goes up, the actor is in charge.”

EMERALD FIRE ON A FRIDAY…

Posted in Hot Video on February 7, 2009 by Miranda Wilding

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Yes, Friday is here at long last.

Time to set this town ablaze…

I’m not a Leo. But it happens to be my rising sign. So I’m an honorary lion. A Leo in spirit if you will.

If you saw me, you would understand. I am possessed of emerald eyes and a big mane of blonde hair. Always flawlessly turned out. Glamour flows from my pores like summer rain.

You can’t miss me for blocks…

I’ve always adored DAVID BOWIE. He has the most amazing catalogue: CHANGES, MODERN LOVE, DIAMOND DOGS, ABSOLUTE BEGINNERS and HEROES (which is the best god damn driving song EVER).

But my favourite would have to be the theme from the remake of CAT PEOPLE. I heard it for the first time when I was just a teenager, which is certainly the correct juncture to discover it. At that stage of the game, you’re thoroughly immersed in the glowing flames and magnificent music.

I’ve actually seen both versions of that film. The 40s flick is great. The 80s movie is a twisted thrill ride with an ending that has to be seen to be believed.

But DAVID’S song had great resonance with me.

See these eyes so green…

Putting out fire with gasoline…

Oh yeah…

Drive safe this weekend, kids.

The life you save may be your own…

THE READER: OSCAR SPOILER?

Posted in The Oscars on February 7, 2009 by Miranda Wilding

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I’ve been following the OSCARS long enough to feel strongly when something’s a done deal.

How often am I wrong? Rarely.

Considering I loved THE READER and have no affection whatsoever for the perceived favourite (SLUMDOG MILLIONAIRE), I’d be very delighted to be.

All indications point to SLUMDOG taking the BEST PICTURE ACADEMY AWARD on FEBRUARY 22. I would certainly assume that is what is going to transpire.

But, in an interesting EW story written by NICOLE SPERLING and CHRISTINE SPINES, they make a case for THE READER as a possible spoiler.

They think it may be coming up fast on the inside and that it may have far more support than anyone previously believed.

I’d love to buy into that. But I don’t know if it’s ultimately going to have any traction.

They also have an incredibly hilarious quote from the producer of THE READER, HARVEY WEINSTEIN.

There have all ready been various public attacks chipping away at SLUMDOG’S reputation and prestige. HARVEY has been accused of being behind some of this bad press.

He denies all of these goon like tactics and then makes this remark in reply: “What can I say? When you’re Billy The Kid and people around you die of natural causes, everyone thinks you shot them.”

Regardless of your personal feelings about HARVEY (and I tend to reserve judgment until I’ve actually met someone), he’s got a fabulous sense of humour and can genuinely turn a phrase.

To find the article, please go here

PAMELA ANDERSON MODELS FOR VIVIENNE WESTWOOD

Posted in Glamour on February 5, 2009 by Miranda Wilding

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From modern bombshell to sultry campaign model, PAMELA ANDERSON is the latest star to grace ads for British designer VIVIENNE WESTWOOD.

The fashionista first met the actor at her runway show during LONDON FASHION WEEK in SEPTEMBER 2008, as PAMELA sat front row in a gold lurex dress from Vivienne’s GOLD label. When it came time to choose the face of her spring collection, Vivienne immediately thought of PAMELA…and the rest is history.

Teaming up with legendary photographer JUERGEN TELLER for the fourth season, the campaign was shot in and around PAMELA’S trailer in MALIBU.

PAMELA, Vivienne and ANDREAS KRONTHALER (Ms. Westwood’s husband and creative partner) model fashions from her GOLD, RED, ANGLOMANIA and MAN labels as well as the accessories range.

Photographs of the advertising campaign will be published as a coffee table book and will start appearing this month in magazines world wide.

THE COLUMN SPOTLIGHT…04/02/09

Posted in Glamorous Excess on February 5, 2009 by Miranda Wilding

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Oh God, I love shoes…

BRUNO FRISONI makes the most incredible footwear. They’re like blissfully extravagant works of art. No wonder he’s become wildly popular with the HOLLYWOOD crowd and relentlessly chic European film stars.

Mr. Frisoni is responsible for the most exquisite fanciful designs. He creates the absolute best: beautiful, luxurious, expensive…

His shoes are decadently seductive.

BRUNO is my kind of man – and today’s GLAMOROUS EXCESS fashion column (featured over at BRITANNICA BLOG) is entirely about him.

To take a look, please go here